Indian Classical Music And Sikh Kirtan by Gobind Singh Mansukhani (M.A., LL.B, Ph.D.) © 1982 NOTES AND REFERENCES |
| NOTES AND REFERENCES 1. For the place of music in Islam, refer to A.B. Fyzee Rahamin’s “The Music of India”, London 1925. 2. Adi Granth, p.71. 3. Ibid., p.985. 4. Cultural Heitage of India, Vol. IV, p. 321. 5. Adi Granth, p.450 6. Ibbid., p.450 7. Ibid., 158; see also p. 820" “My Beauteous Lordd, let me not hear with my ears, the egoist’s obscene songs and tunes which are useless.” 8. Ibid., p. 83, 9. Ibid., p.1423. 10.Ibid., p. 979. 11.Ibid., p. 1300. 12.Ibid., p. 683 13.Ibid., p. 108 14.Ibid., p. 889 15.Ibid., p. 281 16.Ibid., p. 649 17.Ibid., p.1222 18.Ibid., p. 893 19.Ibid., p.449 20.Ibid., p. 389. 21.Ibid., p. 237. 22.Ibid., p. 462 23.Ibid., p. 1423. 24.Ibid., p. 901. 25.Ibid., p. 624; compare it with Tyagraja’s verses: “ O mind! devotion associated with the ambrosia of the notes and melodies is verily paradise and salvation. He who has knowledge of melodies along with the devotion of God is indeed a soul liberated here itself.” 26.Ibid., p. 122 27.Ibid., p. 159 28.Ibid., p. 506. 29.Ibid., p. 350 30.Ibid., p. 884. Some of the Hindu mystics like Chaitanya and Mira Bai sang and danced with true devotion. Some Sufi mystics did the same. 31.Bhai Gurdas, Var 9, 14 32.Adi Granth, p. 1314. 33.Ibid., p. 114. 34.See Chapter II ante. 35.Adi Granth, p. 119. 36.Ibid., p. 41. 37.Ibid., p. 1015. 38.Ibid., p. 1091. 39.Ibid., p. 102. 40.Guru Nanak Foundation. New Delhi: Guru Nanak, His Life, Time and Teachings. P. 225. 41.Adi Granthp.68. 42.Ibid., p. 67. 43.Ibid., p. 183. |